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The years that followed the release of “Pure Heroine” were quiet. Katy Perry managed to stay relevant by frequent collaboration with various rappers, producing single after successful single and abandoning her old image. Lady Gaga’s “Artpop” was critically unsuccessful, perhaps being too artistic or niche for a wider audience, and Ke$ha’s “Warrior” was well received, but marked as bland and conceptually overdone. The other women of pop who were eminent in the late 2000s struggled in this new environment. Nonconformance often leads to more nonconformance. “Female rapper” was another emerging title in the late 2000s and 2010s, thanks to Nicki Minaj and Rihanna, but Lorde may have had some influence here, too. Is It Just Me, or Are Pop Songs Sadder Than They Used To Be? Finally, Perry’s “I Kissed a Girl” and “California Gurls” addressed the expectations of a female pop star directly-she is to be an exaggeratedly sexual, flirty, pretty girl who loves to go out, meet boys and have fun. Similarly, Ke$ha’s albums “Animal” and “Cannibal” were meant to go hard and make you feel sexy, if not with Gaga’s artistic flair. The music videos for “Alejandro” and “Bad Romance” were avant-garde and lurid.
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While Lady Gaga was a trailblazer in her own right, “The Fame Monster” was full of sexy, club hits and was intensively visual. In the late 2000s, prior to 2012, the women of pop were Lady Gaga, Ke$ha and Katy Perry, among others. In her refusal to appeal to mainstream tastes, Lorde changed the conversation about pop music. Morrissey shed any trace of traditional rock masculinity and embraced an artistic, poetic image, while Lorde shrugged at the image of a sexual, flirtatious ingénue, instead opting to wear a youthful yet jaded set of glasses. Aside from the lyrical congruencies, both artists reject the iconography associated with their type.
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While Lorde’s music represents a younger and more feminine perspective, songs like “Ribs” and “A World Alone” are self-conscious yet self-assured, just like Morrissey’s. Decades before her, Morrissey was singing about the beauty of romance and life while, at the same time, rejecting it, refusing to believe love could be for him. However, Lorde was not the first to embody the persona of an outcast.
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With all the buzz surrounding young artists and bands like Lorde, Haim, and The Ceremonies, its hard not to be curious what the next generation of musicians has in store for us.Everything You Need To Know Before Spotify Wrapped 2021 image via
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Live Performance HD 720p Grammy Awards 2014 Even when she sings in her higher vocal range about teenage politics, Lorde carries herself with the grace and poise of someone like Beth Orton. Lorde needs no collaborative hacks - she writes and sings her own songs. She has a timeless knack for songcraft with a sophisticated pop savvy that most people over 30 can't find without collaboration. But in truth, Lorde recorded these songs as a 16-year old Kiwi championed by the likes of Perez Hilton and Grimes. It'd be easy to mistake Ella for a seasoned tunesmith from the American South, one who carries a heavy heart that's been ravaged by careless men over time.
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Fresh off winning Grammy Awards for Song of the Year and Best Pop Solo Performance in 2014.Ģ013 debut album from New Zealand singer/songwriter Ella Yelich-O'Connor AKA Lorde.